After Rita uses the key to open the blue box, the camera moves into the opening in the top of the box and is subsumed by the darkness inside. The film impels us to experience briefly the void that exists between fantasy and desire,

but we are quickly thrust into the world of desire, in which the woman who owns the apartment- Betty’s aunt in the fantasy-walks in; there is no trace of either Rita or Betty.

only by insisting on fantasy to the end can one arrive at the experience of silence.

– TODD MCGOWAN on Mulholland Drive

Leave a Reply

Fill in your details below or click an icon to log in: Logo

You are commenting using your account. Log Out /  Change )

Google photo

You are commenting using your Google account. Log Out /  Change )

Twitter picture

You are commenting using your Twitter account. Log Out /  Change )

Facebook photo

You are commenting using your Facebook account. Log Out /  Change )

Connecting to %s