“The frame of the painting in front of us is not its true frame; there is another, invisible, frame, implied by the structure of the painting, which frames our perception of the painting, and these two frames do not overlap there is an invisible gap separating the two.” – The pivotal content of the painting is not rendered in its visible part, but is located in this dislocation of the two frames, in the gap that separates them. Are we, today, in our postmodern madness, still able to discern the traces of this gap?
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zizek. The Universal Exception http://ift.tt/1YT35QL

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