“someone with the loathsome gestures of an unconscious intriguer approached to tell her the train was leaving immediately.” – The manner in which she listened to this announcement made it terribly clear to me that she would not dance again. ‘I am a wicked, evil woman, am I not?’ she said. ‘Oh no I said, ‘not that,’ and turned away aimlessly. – FRANZ KAFKA http://ift.tt/1Ix0yAr

Kafka was embracing the nothingness at the core of things, the void from which creativity springs. Kafka is Zizek’s prime example for working and writing despite the uncertainty at the heart of things. Kafka said, I must embrace the nothing. By this he did not mean suicide or self-harm, but the idea of doing nothing in order to be able to do anything at all. – ANDRE VANTINO

Zizek lives the same idea when he says that he lives purely in literature, that he only does what he likes. By this he takes away all the superego pressure and is able to endure the existential void of being alive. He then can live the drive as a death drive that is no longer a selfdestructive drive but one in tune with the Real, a drive no longer repressing the void of the Real. – ANDRE VANTINO

Something can be too realistic to endure, but what makes it Real is not that. What makes it real is its undeniability, its irreversibility, like the irreversibiility of an accident or of realising that one is exposed to a threat. In the same sense nature is real, because it can kill us if we don’t think ahead or respect its dangers. – ANDRE VANTINO